Watching Raimi and his writers cut between the story threads, I savored classical workmanship: The film gives full weight to all of its elements, keeps them alive, is constructed with such skill that we care all the way through. In a lesser movie from this genre, we usually perk up for the action scenes but wade grimly through the dialogue. Here both stay alive, and the dialogue is more about emotion, love and values, less about long-winded explanations of the inexplicable (it's kind of neat that Spider-Man never does find out why his web-throwing ability sometimes fails him).
Tobey Maguire almost didn't sign for the sequel, complaining of back pain; Jake Gyllenhaal, another gifted actor, was reportedly in the wings. But if Maguire hadn't returned (along with Spidey's throwaway line about his aching back), we would never have known how good he could be in this role.
Dunst is valuable, too, bringing depth and heart to a girlfriend role that in lesser movies would be conventional. When she kisses her astronaut boyfriend upside-down, it's one of those perfect moments that rewards fans of the whole saga; we don't need to be told she's remembering her only kiss from Spider-Man.
There are moviegoers who make a point of missing superhero movies, and I can't blame them, although I confess to a weakness for the genre. I liked both of the "Crow" movies, and "Daredevil," "Hulk" and "X2: X-Men United," but not enough to recommend them to friends who don't like or understand comic books. "Spider-Man 2" is in another category: It's a real movie, full-blooded and smart, with qualities even for those who have no idea who Stan Lee is. It's a superhero movie for people who don't go to superhero movies, and for those who do, it's the one they've been yearning for.
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